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How To Slow Down An MP3 With Audacity

September 7, 2010

This can be super handy for learning a song (especially fast songs). It starts to sound grainy if you slow it down too much, but you can still hear the notes well even at half speed. The program Transcribe is equipped to do this easier, faster, and better, but it costs $50. So here’s my tight-wad workaround:

  1. Download Audacity if you don’t already have it. It’s free and works on Windows, Mac, and Linux.
  2. Open the program and start a new project.
  3. You need a .wav file format to import to Audacity, so you will have to convert the MP3 (MPEG, whatever). This can be done though itunes by going to “Edit>Preferences>Import Settings” and choosing “WAV Encoder” (“OK”, “OK”, out). Then right click on the track in itunes and select “Create WAV Version”. This copies the file.
  4. In Audacity, click “Project>Import Audio”, then find a .wav file and open it. (If you came from itunes, it’s usually located in the same album folder as the normal MP3) The track now appears in Audacity.
  5. Select (click and drag) the area you’d like to slow down. You can also go “Edit>Select>All” if you want to select everything.
  6. Click “Effect>Change Tempo”. Then drag the slider to the left however much you want to slow the track down (you can also speed it up by dragging right) and click “OK”. Keep in mind that the slower you go the more the effect seems to bog down the computer while it is generating.
  7. If you’d like you can export the file back to MP3 by going “File>Export As MP3″.
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Free MP3s For “Discovering” And “Exploring The ‘Ukulele”

August 31, 2010

Herb Ohta Jr. and Daniel Ho‘s instructional books are full of tabs and music notation for different songs. It’s hard to play a song if you don’t know it though! So they have recorded simple MP3s of the songs in “Discovering the ‘Ukulele” and “Exploring the ‘Ukulele“. You can download them from Herb or Daniel’s sites for free in a .zip format (you get the same files at either site):

  • Download through Herb’s site (down in the right sidebar)
  • Download through Daniel’s site (click on the book and then there is link below the cover image)
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Patience and Improving II – Tabs and Time

August 30, 2010

I think enough time has passed that I can retouch on this subject. Like in the other Patience and Improving post, practice is still important. This is just my opinion on a mental game. That doesn’t mean this is right, or wrong, it’s just observations.

First point. (Please note that I don’t think tabs are bad. They can be a great learning tool. But please don’t rely solely on them.):

If you have to ask for tabs to a challenging song, you probably shouldn’t be trying to play it. I believe that it is way more beneficial to your playing to learn by ear a more simple song than something you have to learn from a sheet. Figuring something out by ear can be a challenge, but that’s why you start simple. The more you do it, the easier it gets. If you don’t have the ability to work this said piece of music out yourself, and you take the easy way out (get the tab), you are going to end up doing several things (for the most part):

  1. Playing the music just like the tab.
  2. Playing beyond your physical abilities, because the tab can show the notes Jake can play, but you can’t. This probably leads to…
  3. Getting discouraged.
  4. Not understanding the music.

I think the last one is the most important. When you take the easy way out, you aren’t forced to learn the structure of the song. All you have to do is play the right frets that the tab shows. But if you listen to the song and figure it out, several different things happen:

  1. You learn how the song goes better because you end up listening to it many more times then you otherwise would.
  2. You are forced to figure out the key. (If you want to find the notes it’s way easiest to find the key first.)
  3. You will probably learn the chords. Because a lot of times the melody starts and ends on chord notes. Also, it’s more interesting to strum the chords while you learn the rest of the song in your head than to just sit there and listen.
  4. Because of these things, you will (hopefully) see the relation of the melody and the rest of the song.

So develop your ear! And remember that music has kind of a built in difficulty filter that says, “whoa! This is probably over your head, why don’t you try something a bit easier?”

Just so you know, I’ve been down this road. There was a stage when I’d hear a song I wanted to learn and head straight to the computer to look for a tab – without even trying to figure it out by ear first. Then, if I found the tab I’d spend an hour trying to figure it out before going “arrghhh! This is beyond me!”. That was always discouraging. Now it’s easy for me to ear a song out.

Tabs are a great way to learn a song, but be sure to learn the music too.

Second point.

Time. If you practice, you really do improve. It may not be noticeable, but it’s there. The best advice I think I’ve ever gotten was along the lines of “you’ve got the tools Brad, now you just need to practice the basics”. At the time it was a kick in the face, but looking back I’m really glad it was said. It’s been almost a year since then and in that time (I hope) I’ve been practicing “the basics”. Basics are not necessarily picking quarter notes all day (although they could be). I believe the basics are more like touch, songwriting, playing clean, confidence – things like that – overall musicality.

You can help the process along, but basics are also acquired with time. The longer you play, the more solid your basics are.

For me, I feel that in the past year I’ve been able to improve upon two main things. The first is my own musical voice. It’s not even close to finished, but I think this came about more so from writing songs, being able to play more of what I hear in my head, getting a better tone, etc… That leads to the second thing: confidence. With a bit of my own personal basics established, I feel like I can say something in a musical situation better than I could have a year ago, before taking a better look at the basics.

Even without any super noticeable leaps in your skills, you are still improving on the basics. Playing that chord better, making that one note cleaner, feeling your fingers become just a bit more nimble, understanding what is happening in a song a little easier. It’s all just a process. Time will provide better basics. Just remember that they are important.

Along the same lines. When you hit the “wall” and have no idea what to practice or you feel like you’re not improving, just keep playing, because even if you can’t see improvements at the top of your game, there are improvements happening at the bottom.

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Open string Pull-Offs – Video Lesson

August 26, 2010

Lesson page: Open string Pull-Offs

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Big Island 'Ukulele Co. Hilo, Hawaii - 1-866-648-4036 'Ohana 'Ukuleles Moore Bettah 'Ukuleles - Opihikao, Hawaii Lele Music Productions Feat. 'Ukulele Artist Herb Ohta Jr. and Vocalist Jennifer Perri

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