Live 'Ukulele
Tabs, lessons, and info for 'ukulele enthusiasts
  • Home
  • Info
    • Parts of the ‘Ukulele
    • History of the ‘Ukulele
      • Kamaka Hawaii Inc.
    • Recommended ‘Ukulele Stuff
    • Jam and General Etiquette
    • FAQs
    • Artists
      • David Kamakahi
      • Herb Ohta Jr.
      • Jake Shimabukuro
    • Tips
    • Videos
    • The Correct Spelling of ‘Ukulele
    • Links
    • Sitemap
  • Tabs
    • How to Figure Out Songs
    • Picking Vamps
    • Ideas/Short Tabs/Intros
    • How to Use Powertab
    • How to Read Tab
    • Scales
  • Songs
    • How to Make Songs Easier
  • Chords
    • Vamp Chords
    • Resolving 7th Chords
    • Constructing ‘Ukulele Chords
    • Diminished and Augmented Chords
    • Slash Chords
  • Gear
    • Amplifying Your ‘Ukulele
      • Effects
      • Pickups
      • Amps
    • Changing Strings
    • Straps
    • Buying Tips
      • What I Look for in an ‘Ukulele
    • Picks
    • Capos
    • Taking Care of Your ‘Ukulele
    • Fingernail Care
    • ‘Ukulele Sizes
    • Types of Strings
      • Low G Strings
  • Lessons
    • Video Lessons
    • ‘Ukulele for Beginners
    • ‘Ukulele for Intermediates
    • ‘Ukulele for Advanced Players
    • ‘Ukulele Techniques
      • Harmonics
      • Arm-wah
      • Hammer-ons and Pull-offs
      • Pull-offs Up and Down One String
      • Tapping
      • Octaves
      • Tremolo Picking
      • Bending
      • Slides
      • Palm Muting
      • Trills
      • Unisons
      • Mono Strum
      • Vibrato
    • Fingerings
    • Secquencing Scales
    • Strumming
    • Slack Key ‘Ukulele
    • Tuning an ‘Ukulele
    • Soloing
    • Playing Clean
    • Picking Patterns/Arpeggios
    • Intervals
    • Some Thoughts on Music
      • Finding Inspiration
      • Soulful Playing
      • Silence
      • Patience and Improving
    • Finger Picking
    • Tones
    • Song Endings
    • Muting Chords and Notes
    • Warmups/Finger Exercises
    • Practicing
    • Playing High Notes Beyond the Fretboard
    • Weird Sounds and Modulations
    • Jazzy Intros and Outros
    • Harmony
    • All About Vamps
    • Theory
      • Transposing
      • Constructing Scales
  • Interviews
    • Master Luthier Chuck Moore of Moore Bettah ‘Ukuleles
    • Interview with Alan Okami of Koaloha ‘Ukuleles
    • Interview With Victoria Vox
    • Interview with Smiley Kai of Ukulele Source
    • Interview With Brittni Paiva
    • Interview with Herb Ohta Jr.
    • Interview with David Kamakahi
    • Interview with Kimo Hussey
    • Interview with James Hill
    • Interview with the Dominator
    • Interview with Aldrine Guerrero
    • Interview with Al Wood (a.k.a “Woodshed”)
    • Interview with Jake Shimabukuro
    • Interview with Kainoa from Easy ‘Ukulele
    • Interview with Benny Chong
  • Reviews
    • Sunday Morning – Jake Shimabukuro
    • Gently Weeps – Jake Shimabukuro
    • Follow Me – Manoa DNA
    • Facing Future – Israel Kamakawiwo’ole
    • Hear… – Brittni Paiva
    • Million Miles Away – Jake Shimabukuro
    • Play Loud ‘Ukulele – Jake Shimabukuro
    • Talkin’ Da Kine – Braddah Kuz
    • Hawaiian Style ‘Ukulele – Troy Fernandez
    • Boss RC-20XL Loop Station
    • ‘Ukulele Mike by Michael Conway
    • ‘Ukulele Journey by Herb Ohta Jr.
    • All You Need to Know About the Music Business
    • 2 to Three Feet – Herb Ohta Jr. and Daniel Ho
    • He Mele Aloha: A Hawaiian Songbook
    • Live – Jake Shimabukuro
    • Eat, Sleep, Music Sessions by the K-Town Heroes
    • Four Strings: The Fire Within by Brittni Paiva
    • 4 Great Guitar Books
    • ‘Ukulele Breeze – Herb Ohta Jr.
  • About
    • Advertise on Live ‘Ukulele
    • Privacy Policy
    • Contest Rules
    • Contact
  • Subscribe

Diminished and Augmented Chords

Diminished and augmented chords on the ‘ukulele can be hard to remember because 1) they don’t get used much and 2) they repeat themselves (the same shape works for more than one chord). By the time you realize you are supposed to be playing one of these chords in a song, odds are it’s gone already. What you need is a fast way to figure these chords out, and here it is:

I’ll start with Diminished chords. There is only one Diminished chord shape, and it looks like this:

This shape repeats every three frets. So you can play all the diminished chords you will ever need in the first three frets with one shape. How do you remember what one is what though? Simple. Just slide the shape so that it has the chord name note within it. Cdim is the only diminished chord with a C note, Fdim is the only chord with an F note, etc… This works anywhere on the fretboard. Since the dim shape repeats, you can slide it up 3 frets at a time and get the next voicing for that same chord. And again and again, until you run out of frets. You can play one strum on each voicing as you slide up and sound really slick.

Augmented chords work on the same principles. The only difference is that aug chords repeat every four frets instead of three and there are two shapes. You will probably use augmented chords less than diminished chords, but the same “chord name note” idea still applies. Ether of those shapes can be moved up four frets to find the next voicing. You will find that the other shape fits between those four frets.

For the ‘ukulele chord building junkies out there, the makeup of the two types of chords look like:

Aug - 1 3 #5
Dim - 1 b3 b5

Comments rss
Comments rss
Trackback
Trackback

Please leave a comment!

Click here to cancel reply.

Big Island 'Ukulele Co. Hilo, Hawai'i - 1-866-648-4036 Moore Bettah 'Ukuleles made by Chuck Moore Lele Music Productions Feat. 'Ukulele Artist Herb Ohta Jr. and Vocalist Jennifer Perri

Top Ukulele Sites Top 50 Ukulele Sites From Big Island Blogs

©2010 liveukulele.com

Sitemap | Privacy Policy | Tabs, Lessons, Reviews, Info | 'Ukulele