Hammer-ons and Pull-offs
Hammer-ons and pull-offs are easy techniques to add speed and different sounds to your playing.
Hammer-ons
To play a hammer-on, pick a note and then ram another finger on a note above it. Don’t pick the second note. For example: 2h3 (the h means hammer-on) - pick the second fret then hammer-on to the third. You can only use as many hammer-ons as you have sustain. So you couldn’t hammer-on a note then rest, then hammer-on another note if the first note stopped ringing before you could hammer the second. This takes some finger strength, so don’t get discouraged if you have a case of “wimpy fingers”, just keep trying and you will eventually get it.
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Pull-offs
Pulling-off is the exact opposite of hammering-on. Pick a fretted note then pull (or push) your finger off the note up or down parallel to the frets to sound the note behind it (fretted or not). Don’t pick the second note. For example: 3p2 (the p means pull-off) - pick the third fret then pull-off to the second.
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Combos
You can do combos of the two techniques and create short, fast riffs. Try hammering-on and then pulling-off. For example: 2h3p2 - pick the second fret then hammer-on to the third then pull-off from the third to the second. Don’t pick the second and third note. Or pull-off then hammer-on a note. For example 3p2h3 - pick the third fret then pull-off to to the second and hammer back on to the third. Again don’t pick the second and third note.
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Or…
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You can also hammer-on or pull-off more than one note. Try double hammer-ons (2h3h5) or double pull-offs (5p3p2 - Santana uses this a lot with a bend at the end).
