Five, six, and eight-string ʻukuleles have a beautiful chime-y sound. They can achieve a more full, jangle-y sound than a standard uke because of their additional strings.
But for all the benefits, one of the biggest drawbacks of these instruments is the challenge of tuning. More strings take more time to tune and, for a beginner, even knowing WHAT note to tune each string to is a real challenge.
This guide on tuning Liliʻu (6-strings), 8-string, and 5-string ʻukuleles will help you make sure you’ve got it right.
What is a “Course”?
Something all three of these ʻukulele tunings have in common are strings paired together. A “course” is when two strings share a tight spacing and are played together as one. A course is tuned either to the same pitch or an octave apart.
The hardest thing to comprehend about courses is how they are played. A course counts as one string. All that’s different from a four string uke is that there are two strings you need to hold down instead of one.
For instance, if I want to play a C chord on an 8-string ʻukulele, I still need to press down the 3rd fret of the A-string. But since the A-string is tuned in a course, I have to actually press down both the bottom strings that make up the double course.
Since courses are considered the same string, they aren’t meant to be played separately. If you are supposed to pluck the C-string, you pick both the C-strings in the doubled course.
So if you’re excited about a 5-string ʻukulele because it will let you play solo fingerpicking arrangements with the low-G and also campanella style with a high-g, you’ll be disappointed. The tight string spacing makes it very hard to pick them separately.
Tuning a 6-String
The 6-string ʻukulele – also known as the “liliʻu” – was pioneered by Sam Kamaka Jr. in 1959 to commemorate the Statehood of Hawaiʻi and our last Queen, Liliʻuokalani.
It’s a bold sounding tenor uke that’s great for rhythm playing and is well known for its use accompanying hula ʻauana. Here’s a real clean example by Pomaika‘i Keawe rocking the six-string with an ace backup band.
6-String Tuning Variations for Liliʻu
There are several variants of the liliʻu tuning. However, all feature a double course on the C and A-strings.
The most common, traditional Liliʻu tuning uses a high-g and octaves on the C and A-string courses. So the C course is tuned high-C (the highest string on the instrument – above the high A-string) and standard middle C as on a normal uke. The A course is weird because it’s tuned with a low-A (a whole step above a low-G) and a standard A-string like normal. The E-string is like normal.
All together it would be:
g cC E Aa (high strings shown with lower-case letters).
Other variations are: low-G, unison C course, and unison A course, or some combination of the three.
Tuning an 8-String
An eight string is the uke equivalent of a 12-string guitar. Every string has a double course and it has a big, giant, rich sound.
Here it is in a strumming setting as implemented by Nā Hoa.
The nice thing about the 8-string is that its tuning is pretty much locked into convention. Nine times our of ten, an 8-string ʻukulele is tuned
gG cC EE AA.
To break that down, the top course is tuned high-g and low-G – with the high-g closest to the ceiling. The C course is tuned with a high-c and a normal C – with the high-c closest to the ceiling. Both the E and A courses are tuned in unison to the normal GCEA pitches.
dD gG BB EE.
Tuning a 5-String
The five string ʻukulele is a modern variation that gives you both G-string options. That means it’s tuned with a low-G AND a high-g in a doubled course.
The high-g is usually on the top. So all together:
gG C E A.
Taimane is a heavy user of the 5-string setup and has played one almost exclusively for at least a decade.
There aren’t a whole lot of ukes you can get set up for five string, but it’s an interesting new development. That might float some people’s boat.