ʻUkulele Chord Shapes Ebook

ʻUkulele Chord Charts: Diagrams & Fingering Pictures

This page contains charts for basic and advanced ʻukulele chords.

‘Ukulele Chord Shapes Book

man reading ukulele chord shapesWhile the free content below will take you far, one of my flagship projects here at Live ‘Ukulele is ‘Ukulele Chord Shapes. It’s a method for learning chords as shapes, maximizing your efforts to allow for a more comprehensive view of the fretboard in less time.

‘Ukulele Chord Shapes is:

  • A complete guide to moving chord shapes across the fretboard
  • Beautiful diagrams for 173 shapes
  • How to move each shape into 12 keys = 2076 chords!
  • Theory explained in layman’s terms
  • 55 pages available as PDF or print book

It’s a new era of fretboard understanding.

holding chord shapes book

  • Mobile-friendly PDF format
  • Instant delivery
  • Over 2,500 sold!


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I always recommend finding ways to apply the chords you know to music. Just like a foreign language, if you don’t use chords, you WILL slowly forget them. So be sure to either practice them or play songs that use them!

Basic ‘Ukulele Chords

You’ll want to eventually learn the most common ways of playing all the major, minor, and 7th chords. There are 12 of each so you’re looking at memorizing 36 different fingerings.

This is a lot of work so don’t try to do it all at once! Learn songs that gradually introduce new chords so you can learn them in context.

Here are pages of the three chord families. Each chord is shown with a diagram, tab numbers, and a picture of me holding the chord for fingering reference.

For the square people out there (or the ones who like to print things out), here is a one-page chart of the same information:

Additional ‘Ukulele Chords

Even though you’ll use the three chord families above most frequently, you might run across some weirder ones. Here are some of the other ʻukulele chords sorted by family and presented as multi-position PDF charts.

ukulele chord chart

Playing Cleaner Chords/Changes

A basic overview of some things that affect how well a chord rings out and how to make changes easier.

How to Read a Chord Diagram Box

Chord diagrams are handy and probably the easiest way to show finger positions on the fretboard. This is due to the fact that a chord box looks just like the fretboard and has dots on the frets where your fingers should go. It’s very intuitive.

An ʻukulele chord diagram is made up of a grid. Four vertical lines represent the 4 strings of an ʻukulele. On the left side is the G string. C and E follow, and on the right side is the A string.

Completing the grid are the horizontal lines that represent the frets, starting at the nut and making their way up the neck at even intervals as far as you need them two, though five lines is the most common.

Finger Dots are the last component of a chord diagram. These are round, usually black, dots that go on the string line and in between two fret lines. Each dot shows where you put your fingers. Sometimes the finger dots have numbers in the middle. These are guidelines as to what finger to place where (1=index, 2=middle, etc…). There are instances where a barre across several strings is necessary. This is shown with either multiple dots across one string (in which case you have to determine if you need to barre), or as several dots bound together to visually form a bar.

At the very top of the box is the chord name. This tells you what chord the box shows.

Sometimes, if the diagram is showing a section of the neck where the nut is not the lowest fret line, a number is shown to the left or right of the chord to tell you which fret to start the shape from.


The “Grip” Method

The above chord diagrams are awesome for learning chords, but are not very practical when you are trying to explain something in a plain text format (song sheet, forum post, etc…). Sometimes you will see a dedicated person take the time to format a chord like this:

_ _ _ _
| o | |
o | | |
| | | |
| | | |

But it would be easier to just notate it like:


Each number space indicates a string. On the left is G, on the right is A.


Each number itself shows what fret to play (0 = open string). So for this example you would play the G string, 2nd fret, the C string, 1st fret, and leave E and A ringing open. The best example of this format I can think of would be GX9901’s explanation of “Trapped” by Jake Shimabukuro.

Chord Articles

Learning to play ʻukulele chords is great, but you need some context. Here are some lessons on ways to use chords and understand them better.

Constructing Chords – How a chord is created from a scale and a formula.

Diminished and Augmented chords – The funny sounding crew. Hard to use, but their shapes repeat so memorizing them is easy.

Hawaiian Vamp Chords – Also known as a “turnaround,” the Hawaiian vamp is the glue that holds traditional Hawaiian songs together.

Mandolin-Style “Open” Chords – Using open strings to create widely voiced chord leads to some great-sounding chords.

Power Chords – With only a 1 and a 5 you can blast yourself through some rockin’ tunes.

Resolving 7th chords – How to use a 7th push to lead your ear to the next chord.

Slash Chords – Easy for piano, hard for ʻukulele. Here are some tips to defeat the mystery of the slash chord.

As far as I know, my book, ‘Ukulele Chord Shapes, is the most extensive ʻukulele chord book around. That said, its method has a bit of a learning curve and might fly over the head of a beginning player.

If you are in the market for a book that shows single-use chords, my favorite is Roy Sakuma’s Treasury of ‘Ukulele Chords. A chord book of some type is really good to have!

When I was first studying chords and needed quick answers I used to love Brian’s HUGE chordlist collection. There are LOTS and LOTS of chords to discover there with more positions than you’ll ever use. Great stuff.

Blank Chord Charts

Blank Chord Chart (12 wide – small)

Blank Chord Chart (8 wide)

Blank Chord Chart (12 wide – landscape)

By Brad Bordessa

I’m an ‘ukulele artist from Honoka’a, Hawai’i, where I run this site from a little plantation house in the jungle. I’ve taught workshops internationally, made Herb Ohta Jr. laugh until he cried, and once borrowed a uke to jam with HAPA onstage in my boardshorts. More about me

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